Documentary Uncovers Controversy Surrounding Iconic "Napalm Girl" Photograph

At the Sundance Film Festival, the documentary "The Stringer" has ignited debate by claiming that the iconic 1972 photograph known as "Napalm Girl," widely believed to be taken by photographer Nick Út, was actually captured by a local Vietnamese stringer. The documentary investigates the long-held belief of Út's authorship, presenting testimonies and forensic evidence suggesting otherwise.

The "Napalm Girl" image, depicting a terrified nine-year-old, Kim Phúc, running from a chemical attack in Vietnam, is considered a pivotal moment in photojournalism that influenced public perception of the Vietnam War. However, according to "The Stringer," an Associated Press photo editor involved in publishing the image confirmed that a local man, who was compensated minimally and remained unnamed for decades, was the true photographer.

The revelation poses significant implications for journalism ethics, particularly regarding the treatment and recognition of local photographers versus staff members from major news agencies. As the documentary highlights the emotional journey of the unidentified photographer, Nguyen Thanh Nghe, it questions the historical narrative surrounding the image and the systemic issues within photography practices.

The film is likely to lead to a legal confrontation between the filmmakers and the Associated Press, as discussions about the photograph's provenance continue. Observers are awaiting responses from those implicated, hoping for a resolution to this longstanding controversy.